Chris Warnes
The harsh blue-whites of noughties minimalism yield to the more forgivable hues of ash-grey, stone, flax and ecru, while rigid lines are exchanged for rounded shapes for a warmer, enduringly liveable ambience. Finishes are tactile: hewn timber, soft pile and dense weaves.
Considered collections predominate, with simple shapes and unfussy materials working together to produce interesting, unaffected vignettes.
Lack of adornment is the cornerstone of this trend. All the simple pieces fit together perfectly; there’s nothing that pops out.
Ivory and mushroom tones convey a softness and warmth that is the ideal complement to the more solid, worthy hues delivered by vintage timber and recycled boards.
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